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El Tesoro de la diosa blanca (1983) Katja Bienert said playing in this film was quite an act, cause she is far away from being sportive. "Mostly I was frightened acting like being a female Tarzan, so I was thankful that he added some scenes where I looked seductive or was fighting with my hunters - anything, but my feet on the ground. We shot on the Canary Islands in a natural resort and I enjoyed being in the nature, having a comfortable hotel nearby. Mostly we shot during the summer-holidays, cause Jess always respected me being a schoolgirl," Bienert recalled. https://www.searchmytrash.com/cgi-bin/articlecreditsb.pl?katjabienert(11-08) 2008 November added: 2024 November, 9
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Nana (1983) The Sapphic scenes between Nana and Satin, are shot by two real life half-sisters, Katya and Debra Berger. added: 2024 November, 9
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À nos amours (1983) In the film, Suzanne, the character played by Sandrine Bonnaire, loses her virginity to the American, the character played by Tom Stevens. It was Bonnaire herself who had introduced Stevens to director Maurice Pialat, having met him shortly before during a brief vacation in England, and the two actors then became engaged (their relationship would last two years). Thus film fiction mingled with Bonnaire's real life with the only difference being that the young actress, as she herself revealed, had already had her first time at 14 with another guy. https://books.google.com/books?id=HBezDwAAQBAJ&pg=PT11 2019 added: 2024 November, 9
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Amor Estranho Amor (1982) In a 1987 interview with 'Jornal do Brasil', Vera Fischer revealed that she had initially refused to do the love scene with Marcelo Ribeiro. During rehearsals, Vera said she looked at the little 12-year-old boy, the son she would have sex with in the movie, and felt shivers of dread. He could be her son, how could she have sex with him? It was the director himself who convinced her that the scene was essential: "Walter Hugo already likes these things. If he had a female child, I don't know...The scene turned out beautifully, the little boy wasn't even intimidated." https://books.google.com/books?id=AwYqAAAAIBAJ&pg=PA41 1987 August, 29 added: 2024 November, 9
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Amor Estranho Amor (1982) -How was it for a 12-year-old boy at puberty to shoot erotic scenes? Ribeiro - In my first movie, I didn't know how to act. They put crepe tape "there" because I couldn't control myself. Was difficult. But then I learned to separate what was work and what was intimate. But of course there's always a joke, an awkward situation ... The movie set is very mystical, you never know what might happen. -In "Amor Estranho Amor" did you also use duct tape? Ribeiro - No, that was a normal nude. -Xuxa was fetish among the boys. How did you feel about lying naked with her? Ribeiro - When she was a factory original ... Wow! It was beautiful. The one on television was already another, it was already deconfigured. But wow, Matilde Mastrangi ... My God in heaven! It was a big woman. https://www.alocidade.com.br/artigo/25-anos-depois-menino-que-fez-filme-erotico-com-xuxa-vai-contar-sua-versao 2007 July, 18 added: 2024 November, 9
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Paradise (1982) "I was only 17 when I did my nude scenes in Paradise (1982). They were serious and more difficult because they were not easily justified." https://www.upi.com/Archives/1982/12/22/Film-generation-gap/3316409381200 1982 December, 22 added: 2024 November, 9
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Ladies and Gentlemen, the Fabulous Stains (1982) Composed of brashly cynical lead singer Corinne “Third Degree” Burns (Lane, barely 15 at the start of shooting), her sister Tracy (Marin Kanter), and cousin Jennifer (Laura Dern, at 13!), the Shaggs-like trio become an overnight sensation thanks to their in-your-face look and attitude. With skunk-striped hair and red lightning-bolt eye makeup that inspire a legion of copycat fans, Burns spits at her audience: “I’m perfect, but nobody in this shithole gets me because I don’t put out.” Teen rebellion is a fact of life, but just how comfortable was previously squeaky-clean Lane in such a provocative role? “You mean, like, ‘Here are my tits?’ ” Lane says with a laugh, nearly three decades later. “I was freaking out! The most poignant irony is that my daughter is going to be exactly the age I was when the DVD comes out. It’s not shocking, just a little bit embarrassing that it happens to be your mom.” And while Lane may look tough on film, there’s a reason they call it acting. “At 15, you’re just an egg out of its shell walking around, trying desperately not to get maimed emotionally. I was just mortified that we were supposed to be as bad as we were as a band. That was my 15-year-old agenda: Do we really have to suck this bad? Couldn’t we be on key at least?” https://www.spin.com/2008/08/ladies-and-gentlemen-fabulous-stains/ 2008 August, 28 added: 2024 November, 9
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Querelle (1982) Natja Brunckhorst was given the role of Paulette, a young prostitute. At Fassbinder's request, however, her role was greatly reduced. In the finished film, she only appears in a few nude photos (by Roger Fritz). Medium, volume 15, page 3: https://www.google.com/books/edition/Medium/xggdAQAAMAAJ 1985 added: 2024 November, 9
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Pozor, vizita! (1982) Veronika Jeníková was only seventeen years old during filming, yet the script called for a nude scene. Jeníková was not ready for such a thing and all the time she hoped that director Karel Kachyna would change his mind and not demand that she strip completely naked in front of the camera. But the director didn't want to change his mind and even Veronika's mother's intercession didn't help. The budding actress then wondered how she could avoid the tricky scene. She even feigned illness. In the end, the director only agreed to shoot the nude footage at the very end of the shoot. "It wasn't without tears," Jeníková admitted years later. https://www.dotyk.cz/magazin/film-pozor-vizita-20201116.html 2019 November, 16 added: 2024 November, 9
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Sabine Kleist, 7 Jahre... (1982) In a 2005 interview, Petra Lämmel said that the most difficult scenes in the film were the one where she had to hit a pregnant woman and the one in the shower: "I definitely didn't want to hit her stomach because I thought there was a baby inside. The film crew kept explaining this to me and showing me the pillow, but I still didn't want it. It took me a lot of effort. There were also problems with the segment where I'm standing naked in the bathtub. That was really bad: I didn't want to take my clothes off. The two childcare workers spoke to me with the tongues of angels, telling me that it was important and that nobody would see that only the camera and Helmut Bergmann were in the room during the shoot. Which was total nonsense, after all, the movie was showing in the cinema: but that's how they managed to persuade me. Later on, I was often teased by my classmates because of this scene. http://www.kjk-muenchen.de/sonderdrucke/KJK_Sonderdruck_1846.pdf 2005 added: 2024 November, 9
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